“I think George looked at himself as a world citizen, and not only brought international influences into his music, but was sensitive to human rights and politics around the globe,” he continued. “I’ve always seen music and art as amazing pleasures, but also as relatable vehicles to deliver a point of view. Art and music can invite people to think about something they might ordinarily not be interested in. George put together the Concert for Bangladesh as a way of using his music to benefit humanity. I admire that he went beyond just writing songs addressing issues, and used his significant cultural weight to be an activist and put something noteworthy together, both as a way of raising money for Bangladesh, and of publicizing the situation there. George is a hero.”